Kai-Enna is the Witch King, though he hasn’t always been, and he hasn’t even always been Kai-Enna!
After being murdered, his consciousness dormant and unaware of the passing of time while confined in an elaborate water trap, Kai wakes to find a lesser mage attempting to harness Kai’s magic to his own advantage. That was never going to go well.
But why was Kai imprisoned in the first place? What has changed in the world since his assassination? And why does the Rising World Coalition appear to be growing in influence?
Kai will need to pull his allies close and draw on all his pain magic if he is to answer even the least of these questions.
He’s not going to like the answers.
Witch King is a rousing tale of power and friendship, of trust and betrayal, and of the families we choose.
It’s definitely a sign that you’re going to have a bad day when you wake up dead. One would think that Kai, the protagonist of Martha Wells’s electrifying novel Witch King, would be used to it. This isn’t the first time he’s woken up dead. He is a demon, after all. But waking up dead this time portends a lot more than just a bad day. It might mean the end of everything Kai, his friends, and his allies have worked for...
Interesting and well-executed approach to worldbuilding
4 stars
Witch King features a lot of worldbuilding. Its fantasy world is inhabited by different people with different cultures, and people who can different sorts of magic in different sorts of way, and Martha Wells manages to weave details about this world into the story in a way that makes the world feel alive (except for all the dead people).
The setting is also one with a history of dramatic upheavals and epic struggles, though the story is not set during those things. The main narrative is set years after major historical events, whose effects are still felt by the present-day characters. We also get flashbacks of events around the major historical events. In this way, the book tells a history by telling of its aftermath, and the events that preceded it. This is something that could be executed poorly, leaving a disappointing gap, but it actually works pretty well in …
Witch King features a lot of worldbuilding. Its fantasy world is inhabited by different people with different cultures, and people who can different sorts of magic in different sorts of way, and Martha Wells manages to weave details about this world into the story in a way that makes the world feel alive (except for all the dead people).
The setting is also one with a history of dramatic upheavals and epic struggles, though the story is not set during those things. The main narrative is set years after major historical events, whose effects are still felt by the present-day characters. We also get flashbacks of events around the major historical events. In this way, the book tells a history by telling of its aftermath, and the events that preceded it. This is something that could be executed poorly, leaving a disappointing gap, but it actually works pretty well in Witch King.
We also do get a bunch of likeable characters doing an adventure together, which is something Martha Wells does well, and she does not disappoint this time.
The only other books by Martha Wells that I've read are the Murderbot Diaries, so it's pretty hard for me not to view it through that lens.
Which is unfair on the book, because it is entirely its own thing.
But also carries a lot of Murderbot DNA.
There's the conversational style, the same exasperated, hyper-confident protagonist with a prickly exterior but a heart of gold...
But Kai is also more openly vulnerable, more open with his friends and much more DTF.
Plot-wise it suffers from the same issues I have with the MBDs. The overarching story wasn't compelling, I don't really understand the stakes or the politics, at least not for the bulk of the book. So it was hard to get invested. But it doesn't matter because the whole thing is really just a framework to hang the individual set pieces on and, man, Wells is amazing on …
The only other books by Martha Wells that I've read are the Murderbot Diaries, so it's pretty hard for me not to view it through that lens.
Which is unfair on the book, because it is entirely its own thing.
But also carries a lot of Murderbot DNA.
There's the conversational style, the same exasperated, hyper-confident protagonist with a prickly exterior but a heart of gold...
But Kai is also more openly vulnerable, more open with his friends and much more DTF.
Plot-wise it suffers from the same issues I have with the MBDs. The overarching story wasn't compelling, I don't really understand the stakes or the politics, at least not for the bulk of the book. So it was hard to get invested. But it doesn't matter because the whole thing is really just a framework to hang the individual set pieces on and, man, Wells is amazing on the small scale.
The action is so good. Well's writes in such a cinematic way that I am immediately sucked into the scene. And they feed into each other so well, with the split past/present back story meaning that you are always left in the middle of some cliffhanger or important event even during the downtime.
The setting is also really interesting, the magic system is weird, but usually clearly conveyed, and the world is... well it's a mess. Dealing with the fallout from the magical equivalent of a nuclear war.
Overall, the most basic comparison is the strongest though. This is an incredibly compelling book, that I can see myself re-reading many times.
I adored how wide the world felt and how much was hinted at by the various, subtly interacting magic systems at play. I feel like there are so many nooks and crannies to be explored around the main storyline of this book that it feels like a nearly inexhaustible mine. More, please!
The narrative structure jumps from the present to the past, each giving context to the other and its people -- literally showing you why the characters act the way they do, showing how the current situation came to be, giving you a real sense of time and consequence. I loved it.
And, as I've come to expect from Martha Wells, her depictions of trauma responses feel on-point and real. How everyone reacts to their own ghastly experiences and how it drives them are on full display and are very sympathetic.
So: great world-building. Fun characters and relationships. A …
I adored how wide the world felt and how much was hinted at by the various, subtly interacting magic systems at play. I feel like there are so many nooks and crannies to be explored around the main storyline of this book that it feels like a nearly inexhaustible mine. More, please!
The narrative structure jumps from the present to the past, each giving context to the other and its people -- literally showing you why the characters act the way they do, showing how the current situation came to be, giving you a real sense of time and consequence. I loved it.
And, as I've come to expect from Martha Wells, her depictions of trauma responses feel on-point and real. How everyone reacts to their own ghastly experiences and how it drives them are on full display and are very sympathetic.
So: great world-building. Fun characters and relationships. A complex, political story with very "human" characters. It drops you in to a rushing river and expects you to swim, which I love.
That said, I feel like the characters besides Kai, the main POV, are a little flat. There's a chance that they feel that way because of how much Kai is struggling with their own inner demons (heh heh); maybe Kai's inward focus makes them somewhat blind to others' personalities and the narrative reflects that?
